I am thrilled to let you know that Building Sandcastles: A Book of Short Poems by C.X. Turner and James Welsh is now live on Amazon. A publication of Literary Revelations, Building Sandcastles is a superb collection of haiku and senryu. I am proud to be the publisher of this book. Thank you everyone for the love and the support I received.
Amazon Description
Building Sandcastles: A Book of Short Poems by C.X. Turner and James Welsh is a spectacular collection. From every page the beauty of haiku and senryu poetry jumps, inscribing itself in the soul of the reader with color, sonority, melancholy, grief, and love. Water, clouds, memories, do not only mark chapters. They become the real soul of the book. The transitory nature of haiku and senryu – with their delicate and ethereal qualities – is magically transformed by the authors into permanence. That is no easy thing to do. C.X. Turner and James Welsh create a world of splendor and depth that will forever mark those who read the book.
The book showcases seven wonderful sketches done by C.X. Turner. You will find beauty and great substance in them.
Building Sandcastleshas received plenty of advanced praise:
Bryan Rickert, Editor: Failed Haiku Journal of Senryu, President: The Haiku Society of America writes: “With both broad brushstrokes and intimate details, these two poets paint the beautiful experience of their haiku worlds.”
Joe Woodhouse, Editor: Wales Haiku Journal states that: “In one breath tender and poignant, in the next stark and arresting, this collection of short poems is a journey of discovery through an evocative series of moments in nature. It is an exploration of that yearning to glean meaning from the chaotic lives we all lead.”
Roberta Beach JacobsonEditor, Cold Moon Journal and Five Fleas (Itchy Poetry) tells us: “Building Sandcastles: A Book of Short Poems, the stunning new collection by C.X. Turner and James Welsh, is a must-have for your shelves. These thought-provoking haiku and senryu left me breathless.”
Literary Revelations is proud to publish this unbelievable poetry collection.
Gabriela Marie Milton 2022 Pushcart Prize Nominee Publisher, Editor, Award Winning & #1 Amazon Bestselling Author Books:
I am thrilled to let you know that Literary Revelations will publish Building Sandcastles: A Book of Short Poems by C.X. Turner and James Welsh on August 11. The book is a splendid collection of haiku and senryu. It contains seven sketches done by C.X. Turner. Literary Revelations hired a highly professional formatter who vectorized C.X. Turner’s sketches and worked on every image to make sure that no pixelation will occur on page. The authors choose the have 3 haiku per page beautifully positioned. The formatter made sure that no matter what devise you may use to read the eBook the integrity of the pagination will be kept. A lot of work went into getting this book ready for publication. I am proud to be its publisher.
The book has received plenty of advanced praise some of which can be found HERE. Below please find one of the sketches from the book entitled Water and the foreword I wrote.
Water by C.X. Turner
Building Sandcastles: A book of Short Poems by C.X. Turner and James Welsh
There has never been a collection of short poems and haiku that stirred so much beauty and so many emotions in my soul like Building Sandcastles: A Book of Short Poems by C.X.Turner and James Welsh. I want to be clear from the beginning. There is always a certain degree of disparity between the consciousness of a poet and reality. C.X.Turner and James Welsh fill that gap with intricate feelings, fragrances, colors, flowers, birds, and memories, until we do not understand anymore where dreams stop, and reality emerges. The delicacy of their word and sound impregnates every poem.
around a bend on a woodland path the chime of bluebells
river walk— the gentle weeping of white peony petals
Make no mistake. Their poems are not only delicate and breathtaking in imagery. They are also philosophical. Moreover, the authors steer clear of “fixing” feelings. They live the good and the bad, a remarkable move in a world in which commercialism and slogans bombard us every day; a world that denies an entire repertoire of human feelings to replace it with the today’s socially engineered state of “happiness.”
weeping cloud I don’t try to fix melancholy
a grieving friend love, blown from a candle in the wind
C.X.Turner and James Welsh transform the impossible into possible. They transmute the physical world into a world of magnificent beauty and depth that will forever mark those who read them.
Gabriela Marie Milton author, editor, publisher
Afterword
As I mentioned in the ABOUT section of Literary Revelations we value quality, not quantity. We strive to make sure that our books are high quality and our talented authors get the best publicity. We are proud of who we are. We are deeply grateful to everyone who supports us.
Gabriela Marie Milton 2022 Pushcart Prize Nominee Publisher, Editor, Award Winning & #1 Amazon Bestselling Author Books:
I am thrilled to let you know that Swarn Gill‘s poetry collection Love, Stars, and Paradigms is now live on Amazon. A publication of Literary Revelations, the book speaks about love, social issue, nature and human relations.
Here is the Amazon description I wrote:
Swarn Gill’s poetry collection, Love, Stars, and Paradigms is a must-read for anyone looking for original and stunning poems about love, social, and political issues. Through his work, Gill explores the connection between the natural realm and the human condition with an eye for detail that is both captivating and thought-provoking. Through powerful imagery and vivid language, he paints his own unique perspective on the world around us. Whether it’s about heartache or joy, Gill’s words will touch your soul. Love, Stars, and Paradigms is an unforgettable journey through the beauty of love and the complexities of relationships.
Swarn jokingly telling us why we have to buy his book.
I am thrilled to reveal the full cover design of Love, Stars, and Paradigms by Swarn Gill. This stunning poetry collection will be published by Literary Revelations early April.
The art on the cover belongs to Magdalena Gill.
Follow this space, Literary Revelations and my social media, Twitter @sortprose1 and IG @gabriela_marie_milton, for more updates on the release date.
Please read the preface I wrote and support us.
Thank you!
Foreword
Writing a poetry collection is one thing, but to write one in which every poem shines like the brightest star in the sky is to take the reader to an entirely different level, inside a universe in which words permeate hearts and transform souls. This is where the poems of Swarn Gill take you.
While within the pages of this book each poem stands on its own, one can notice thematic issues resembling circumpolar constellations. Swarn Gill’s poetry concerns itself with perennial matters such as: love, pain, identity, social justice, building a better self, rituals of daily life to name just a few. The depth and beauty in his poems are remarkable. In Lovestruck he writes “I chose to face wrathful clouds/and I saw/such beauty in the maelstrom/and though you struck me hard/ you hardened me like glass/ and in those semi-opaque reflections/ we hold, we sip, we float.”
In Diurnal Dreams winds of liberation from the conventions of a society plagued by commercialism blow, “free me from grey/break me out/of concrete prisons/prostrate me/among the daisies/let emerald butterflies/send me to slumber.”
Love and nature are married in a remarkable way in Under Nature’s Power. It’s not a marriage of convenience. It’s osmosis. Nature leads. “The stars were lecherous/making you lay down/in the cool grass/then the moon/made your invitation/clear as glass/what choice did we have/under cruel skies.”
Hold Still is a poem of substance, simplicity, and beauty with a hint of laissez-faire, “there was also/something I was/looking forward to/no matter…. we are the moment/time vibrates.”
Irene Solà wrote, “The infinite dwells in each of us. Like a window on the top of our heads that we didn’t even know was there,” [Canto jo i la muntanya balla] and she continued claiming that only the poet can open that door and reach the infinite. All you must do to know she was right is to read Swarn Gill’s book Love, Stars, and Paradigms.
Literary Revelations is proud to publish such an unbelievable poetry collection.
Gabriela Marie Milton 2022 Pushcart Prize Nominee Publisher, Editor, Award Winning & #1 Amazon Bestselling Author Books:
I am delighted to be featured in New York Glamour Magazine the third time. I was asked to first speak about myself and then about the anthology Hidden in Childhood [Literary Revelations, 2023]. I am grateful to everyone who spread the word about this stunning anthology. I am grateful to everyone who bought it. I am proud to have brought together the voices of 150 poets to speak to you in more than 270 poems about the trauma and the joy of childhood. Hidden in Childhood is a stunning and important book. It became a #1 Amazon bestseller for 5 days after its release. Yesterday it recaptured its #1 place for the entire day.
You can get the anthology and read the poetry of those stunning writersHERE.
Apologies if I did not return some of your love. I will visit with you as soon as can. None of you knows that I have an extremely rare autoimmune condition. It is so rare that it’s basically understudied. There is no treatment for it. For years it left me alone. Now, I am going through a flare up. All medical tests were done, and there is no damage to any of my internal tissues. I am ok but I will need time to recover. Please be patient with me and I will visit your sites soon.
Now let’s go back to happier things. I am thrilled I was asked by New York Glamour Magazine to talk about me. However I am beyond delighted I could talk about Hidden in Childhood and your marvelous poetry.
Here are some snippets from the interview:
“Yes, I am an American, but I am also a child of Europe. I have been fascinated, mesmerized, frightened, brought to tears, left speechless by the greatest writers of Europe. I still am. Later, I discovered America’s greatest: Sylvia Plath, Toni Morrison, Faulkner, Hemingway, Miller, Poe. Yet, in my darkest moments – like those rare moments in which I cannot write – only the writings of Lawrence Durrell bring my muse back.”
“Hidden in Childhood: A Poetry Anthology is our first publication. It comprises over 150 authors and more than 270 poems. It is available on Amazon and for almost 5 days was the #1 Amazon Hot New Release in Poetry Anthologies. As the editor, curator, and publisher of this book, I am honored and humbled that so many poets entrusted me with their work. The beauty and the power of the poems included in Hidden in Childhood brought me to tears. The poems of the contributors are stunners. As I wrote in the foreword of the book, if you open the pages of this poetry collection, you will be mesmerized by the talent of the contributors, and by the range of stylistic approaches they use to recreate the world of childhood“
I am thrilled to let you know that Hidden in Childhood: A Poetry Anthology published by Literary Revelations is now a #1 Amazon bestseller. This book was made possible by the gorgeous poems you, poets from around the world, sent us. Thank you for trusting Literary Revelations with your poetry. Congratulations! You are now #1 Amazon bestselling poets. And we are filled with joy.
We planned the official release of the book on January 31. The book was on Amazon on the 26. However, not all Amazon markets were populated [at the hour I write they are still not fully populated] and the book’s categories we not showing. Even now only one category shows. In addition we had other few things to take care of.
However, people found out about the book on the 27th of January. In a matter of hours Hidden in Childhood became a #1 Amazon bestseller.
I am filled with joy and gratitude. Thank you for buying the book. Thank you for supporting Literary Revelations Publishing House.
On our pre-launch Hidden in Childhood show: Our gracious host Victoria Onofrei of Radio Bloomsbury will broadcast the show on Sunday January 29, at 6pm London Time. If you want to listen you can do it here https://www.bil.ac.uk/bloomsburyradio/
You can buy the book here:
Thank you. Have a great weekend.
Gabriela Marie Milton 2022 Pushcart Prize Nominee Publisher, Editor, Award Winning & #1 Amazon Bestselling Author Books:
Literary Revelations is thrilled to let you know that Hidden in Childhood: A Poetry Anthology is scheduled to be released on January 31. On January 31 I will post the Amazon link where you can buy the book.
Contributors please check your email in the beginning of next week for updates. Those of you who are interested in our anthology please check my blog, the Literary Revelations website, and my social media: Twitter @shortprose1 & IG @gabriela_marie_milton. I cannot tell you how excited I am. The book will be monumental. The paperback version will have 450 pages; 450 pages filled with the light and the shadows of your childhoods; 450 pages filled with tears and smiles. It’s an incredible book.
Zoom Meeting – Radio Show
On Saturday, January 21 a pre-launch meeting for Hidden in Childhood took place. I am most grateful to those of you who participated and to Victoria Onofrei of Bloomsbury Radio for inviting us to her show, Victoria in Verse.
We expect the radio show to be broadcast on Sunday January 29, at 6 pm London time. If no delays I will send our contributors the link where they can listen to the show.
Several thoughts about the zoom meeting: I have participated in many literary meetings, but never in one like ours. You recited your poetry beautifully, you poured your heart into every verse, you shared your experiences in a very meaningful way. You opened up your souls and spoke about the abuses you endured, the trauma that is still with you. You shed tears. Thank you for every tear you shed. Thank you for every word you spoke.
Most of the time people want to convince us how great and confident they are. They want to be perceived as winners. Sharing feelings during a public event is not in the cards. Please know that those of you who shared your feelings with sincerity and took off the mask of hypocrisy are the real winners. Our contributors are all winners. You conquered my heart and you will conquered the hearts of those who will read this anthology. My love to all of you.
Below please find the Amazon Description I wrote for the book
From authors featured on NPR, BBC, and the New York Times, and from emerging poets, comes a monumental anthology in which every poem sends shivers down your spine. Childhood’s joy and trauma expressed – with stunning talent and sincerity – by over 150 poets in more than 280 poems. Childhood spaces magnified by the human memory, populated by good and bad, by trips to hell and heaven, in an almost Hieronymus Bosch type of atmosphere. Over 150 voices call you to read this book. Read it. You will learn that childhood never goes away. You will be reminded of the beauty of the seraphim and the need to protect children from any form of abuse. 150 voices knock on your door. Open the door. A chorus of childhoods will tell you that our children need love.
Literary Revelations is proud to bring you this anthology and deeply grateful to all contributors for pouring out their hearts into the pages of this book.
I read your words and a thousand childhoods burrowed into my heart.
Gabriela Marie Milton
My Dear Readers
Thank you to everyone who submitted to Literary Revelations Publishing House’s collection Hidden in Childhood: A Poetry Anthology, due to be released late January. If anything changes, I will let you know.
I am thrilled to release the full cover of the anthology and the preface I wrote. I have tears in my eyes. Here is why.
I am beyond humbled by the number of submissions. Thank you from the bottom of my heart for entrusting me with your beautiful poetry. Most important you entrusted me with glimpses of your childhood. That honors me more than words can possibly express. I rarely talk about myself. Yet, last night after 14 hours of work I was listening to the winter knocking on my windows and thinking of your poems. A sentence inscribed itself into my soul. It will stay with me forever. I read your words and a thousand childhoods burrowed into my heart.
We are looking at a monumental work of poetry; a work of breathtaking beauty and substance. I included over 150 poets and around 280 poems. The Word file I will send for formatting tomorrow has 456 pages. I suspect after the formatting the anthology will have over 456 pages. Congratulations to everyone who was included.
I wrote a good number of rejection letters and I am not done yet. To those poets who were rejected: please do not get discouraged. I am honored by your submissions too and ready to collaborate with you in the future.
One other important thing I learned by reading your poems: this collection teaches the reader about childhood perhaps more than an academic treaty could do it.
————–
Hidden in Childhood: A Poetry Anthology – preface by Gabriela Marie Milton
If you open the pages of this poetry collection, you will be mesmerized by the talent of the contributors, and by the range of stylistic approaches they use to recreate the world of childhood. It must be said from the beginning that this is not a poetry collection for children. The pages you will read memorialize the beauty and magic of childhood – remembrance of love and fairytales – as well as its ugliness – abuses, poverty – that unfortunately still exist in our world. Some of the authors of the poems included in this anthology were brave enough to talk about the pain they endured in childhood. I salute all contributors: those who tell the world that childhood is love, and those who still bear the wounds of a difficult childhood.
As the editor, curator, and publisher of this book, I am honored and humbled that so many poets entrusted me with their work. The poems I included in this anthology are stunners. They are magnificent in their wealth of emotions, and very diverse in style. It is the role of the editor to try – as much as she/he can- to stylistically unify the works included in poetry collections. To a certain extent, I decided against it. I allowed for English spelling, as well as for American spelling. I overlooked places where perhaps I would have used different words, in the interest of clarity. Why did I do it? Two reasons: (1) These breathtaking poems have their own energy, an energy that continuously echoes in one’s soul, and it sends shivers down the spine of the reader. There is a freshness about them, freshness in front of which the strive for better formulations ends up in patheticism. (2) Perfection is most of the time sterile. There are emblematic poets who sometimes consciously allowed for small degrees of clumsiness – here and there – in their poems in order to preserve the authenticity of the feelings. I hope I did that in this collection.
The themes and archetypes the contributors use are very diverse. You will find the father as the protector and/or as the abuser, the figure of the mother as the nurturer and/or as the monster, the loss of siblings, the heavenly paradise of grandparents, the fight with disease, and the list can continue.
To turn to a different idea, once Charles Baudelaire wrote, “The child sees everything in a state of newness… Nothing more resembles what we call inspiration than the delight with which a small child absorbs form and color.” No doubt, during childhood we are first and foremost the recipients of the sensory world.
The academic literature on childhood – as well as our common understanding – frequently defines childhood as a period of our lives that precedes adulthood. Whatever happens during our first years is formative and important to our becoming. However, we tend to dissociate childhood from maturity. Most people subscribe to the dichotomy of childhood/adulthood.
Indeed, the prima facie reading of the poems included in this anthology shows that the authors kept in mind the dichotomy of childhood/adulthood.
Yet, what strikes the reader during the second and/or third reading of these stunning poems is how present childhood is in the lives of the authors, now mature people. For these poets, whether they know it or not, childhood is not a simple memory filled with joy or pain. Childhood constitutes itself as an integral part of their poems, a part that continues to transform them as they write.
The strength of this poetry collection is the capacity of its authors to blur the line between childhood and adulthood. Whether the authors talk about joyful memories, or sadly abusive childhood, the effect is stunning. We do not know anymore where childhood stops, and adulthood starts.
Am I returning to Philippe Ariès and his Centuries of Childhood: A Social History of Family Life (1960), who put forward the idea – albeit controversial – that during medieval times childhood was not recognized as a distinct phase of human existence?
No. I am not. I merely claim that the idea of childhood is not as transient as authors such as Ray Bradbury claimed.
In many aspects, childhood never goes away. It stays with us forever.
This is what you will discover in this anthology, which contains the most beautiful, as well as the most heart-wrenching, verses one has ever read. And this is a phenomenal discovery.
I hope everyone is enjoying the holiday season. I am thrilled to share the front cover of Hidden in Childhood: A Poetry Anthology to be released by Literary Revelations Publishing House late January 2023.
Given the high volume of submissions only 75 contributors have received news from me. Please check your email. You may be one of them.
We are still working on selecting new poems so those of you who did not hear from me, please stay tuned. I will be in touch.
Remember submissions are still open until January 3, 2023. You can find the guidelines for submission Here.
I would like to share some of my thoughts on the poems that I have already read.
Thoughts on Hidden in Childhood: A Poetry Anthology
As the editor, curator, and publisher of this this book, I am honored and humbled that so many poets entrusted me with their outstanding work. I thank everyone from the bottom of my heart.
I am mesmerized by the talent of the contributors, and by the range of stylistic approaches used to recreate the world of childhood. I must say from the beginning that this is not a poetry collection for children. The poems selected memorialize the beauty and magic of childhood – remembrance of love and fairytales – as well as its ugliness – abuses, poverty – that unfortunately still exist in our world. Some of the authors were brave enough to talk about the pain they endured in childhood. I salute all contributors: those who tell the world that childhood is love, and those who still bear the wounds of a very difficult childhood.
Charles Baudelaire wrote, “The child sees everything in a state of newness… Nothing more resembles what we call inspiration than the delight with which a small child absorbs form and color.” No doubt, during childhood we are first and foremost the recipients of the sensory world.
The academic literature on childhood – as well as our common understanding – frequently defines childhood as a period of our lives that precedes adulthood. Whatever happens during our first years is formative and important to our becoming. We tend to dissociate childhood from maturity. Most people subscribe to the dichotomy of childhood/adulthood.
Indeed, the prima facie reading of the magnificent poems we selected shows that the authors kept in mind the dichotomy of childhood/adulthood.
Yet, what strikes the reader during the second and/or third reading of those stunning poems is how present childhood is in the lives of the authors, now mature people. For these exceptional poets, whether they know it or not, childhood is not a simple memory filled with joy or pain. Childhood constitutes itself as an integral part of their poems, a part that continues to transform them as they write.
The strength of this poetry collection will be the capacity of its authors to blur the line between childhood and adulthood. Whether the authors talk about joyful memories, or sadly abusive childhood, the effect is stunning. We do not know anymore where childhood stops, and adulthood starts.
[]
I look forward to reading the poems I still have, and I look forward to new submissions too.
To those of you who celebrate Christmas, a wonderful holiday filled with magic. A hundred year of love to everyone. I will update everyone after Christmas.
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