He was a great novelist. He avoided the big juvenile traps: on the one hand, repeatedly writing about one’s childhood and one’s limited experiences, and, on the other hand, confining his characters to slogans such as do good or better days are ahead.
He knew he went against the grain of what was considered acceptable in his country; a country in which the novel frequently used everything from camaraderie to horror, and from war to sex, in order to avoid the birth of a new Emma Bovary. Emma’s sensuality would have scandalized a society in which some, if not most, deified violence and crucified sensual love. Should I mention The Scarlet Letter?
He loved me. In his last note to me he wrote:
“Love and sensuality include divination: a thirst for deciphering the signs inscribed in the sacred area of our subconscious, a craving for knowing what the future holds, and the supplication that providence or god will fulfill our desires.
How much we want that which is not only given to us but that which we create too: Mircea Eliade’s homo religiosus, that alter-ego who lives inside us and conjures the meanings we create in sacred times and spaces.
Love and sensuality are the well of eternity.
Will I advise you to write about love? No.
Yet I know you will do it.”
Coming soon from Literary Revelations
- A call for a poetry anthology
- A book for children
- Please subscribe and stay tuned for more news. Literary Revelations brings you poetry, short prose, art, and interviews,
Gabriela Marie Milton
2022 Pushcart Prize Nominee
Publisher, Editor, Award Winning & #1 Amazon Bestselling Author
Hidden in Childhood: A Poetry Anthology (ed.), Literary Revelations, 2023
Wounds I Healed: The Poetry of Strong Women (ed.), Experiments in Fiction, 2022.
Woman: Splendor and Sorrow :I Love Poems and Poetic Prose, Vita Brevis Press, 2021.
Passions: Love Poems and Other Writings, Vita Brevis Press, 2020