He was a great novelist. He avoided the big juvenile traps: on the one hand, repeatedly writing about one’s childhood and one’s limited experiences, and, on the other hand, confining his characters to slogans such as do good or better days are ahead.
He knew he went against the grain of what was considered acceptable in his country; a country in which the novel frequently used everything from camaraderie to horror, and from war to sex, in order to avoid the birth of a new Emma Bovary. Emma’s sensuality would have scandalized a society in which some, if not most, deified violence and crucified sensual love. Should I mention The Scarlet Letter?
He loved me. In his last note to me he wrote:
“Love and sensuality include divination: a thirst for deciphering the signs inscribed in the sacred area of our subconscious, a craving for knowing what the future holds, and the supplication that providence or god will fulfill our desires.
How much we want that which is not only given to us but that which we create too: Mircea Eliade’s homo religiosus, that alter-ego who lives inside us and conjures the meanings we create in sacred times and spaces.
Love and sensuality are the well of eternity.
Will I advise you to write about love? No.
Yet I know you will do it.”
@Gabriela Marie Milton